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Where This Comes From

Lineage & History

A martial art is a thing handed from one pair of hands to the next. These are the hands ours came through.

The School

A black and white photograph of a large Victorian mansion behind bare young trees: turrets with conical roofs, tall chimneys, a stone arch over the carriage entrance and a broad flight of steps to the front door.

Yama Arashi Ryu

Yama Arashi Ryu is a diverse gathering of instructors with a deep understanding of many martial arts, including Jujitsu, Tai Chi, Judo and Karate. We maintain a traditional approach to teaching: the emphasis remains on the student developing self-esteem, self-confidence, self-defense skills, and physical fitness through the study of katas.

Our instructors teach as volunteer stewards. There are no contracts, no sales staff, and no commercial stakeholders — only the obligation, giri, to repay what their own teachers gave them.

That house is where it started. Shihan Frank Goody founded the American Judo College in 1934 — not in a hall or a gym but in a carriage house, at the back of a property, out of sight from the road. The first was at 909 Pearl Street. The school then moved to the one behind the building above: the Goody family's own residence at 1007 Pennsylvania Street, with the dojo in the coach house at the rear.

After that it kept outgrowing itself. Franklin Street. Emerson Street. Then a hall on Columbine Street — the first building in Denver put up on purpose for judo and karate. And at last 1995 South Bannock Street, where it stayed for thirty years. By the early sixties it had eight hundred members, and Shihan Goody, signing its brochure as president, said he was proudest of how many of them were Denver police officers. It called itself the oldest martial arts school in the United States between New York City and San Francisco, and it kept its fiftieth anniversary in December 1984.

Then it closed. The school Goody had founded — by then renamed the American Budo College — came to an end. The people who were left started Yama Arashi Ryu in 1997.

We are all that remains of a school that ran for sixty-three years.

Yama arashi — 山嵐, "mountain storm" — is a judo throw, and one of the most admired in the art: a simultaneous reap and lift that takes the opponent up before it takes him down.

It was also Shihan Goody's own name — what he was called, and what he wrote and drew under. Every plate in his kata booklets carries it: 画 山嵐, drawn by Yama Arashi. So the name reaches us twice over, from the throw and from the teacher who signed his books with it.

Red Dorris — Walter F. Doris — and his brother Art Dorris were, until their passing, the two most senior people at this school. Red died around 2005, Art a few years ago. A student of Shihan Goody's remembers Red as the man who "became my mentor and benefactor, teaching me lessons in life and Bushido in the tradition of a Japanese sensei."

The dojo teaches these arts as one inheritance rather than as several schools sharing a room. Follow any of them back far enough — the jujitsu through Japan, the karate through Okinawa and Southern China, the tai chi through Henan — and the line runs to Shaolin. That is the through-line this school teaches, and it is why a student here is expected to meet the same principles again in a throw, a block and a push.

Photograph of 1007 Pennsylvania Street courtesy of the Denver Public Library, Western History Department.

Still needed here. When did the American Judo College close, and why? That is the hinge of the whole story above and the page does not have it. Nor does it have which teachers made the move in 1997, or how the school came to 6180 East Warren Avenue. The Dorris brothers' part in founding it should be stated exactly rather than approximately, which is why this page does not state it yet.

Beyond The Dojo

The American Judo College crest: a shield behind two crossed katana, a samurai helmet and face above it, a cross at the centre of the shield and a black roundel with two brushed characters, with four panels of Japanese characters and small figures around them.
The American Judo College's own crest. The four panels name the arts — 柔道 judo, 柔術 jujutsu, 空手 karate and 合氣 aiki — each with a small figure working it. The cross is Shihan Goody's: the school's papers give him as Rev. Frank J. Goody, Sr., D.D.

Who Came To Learn

A dojo can say what it likes about itself. This is the part that was checkable at the time, because it happened in other people's institutions.

Before the war, Shihan Goody was teaching at the CMS Military Academy — the US cavalry school — and to the US Merchant Marine, aboard ship. He spent the war itself as a Marine sergeant teaching hand-to-hand combat, at several bases and in the Japanese Islands.

After it, the list runs: the Colorado National Guard, the Marine Reserve, the Denver Police Department for eighteen years, the YMCA, and the classrooms of Metropolitan State College, CU Boulder, UC Denver, Community College, Regis College and Denver University. The American Judo College taught credit classes for Colorado University, on campus and at the extension center.

Then his students went and did the same thing. By 1983 the school could set the list out flat — Shihan Goody's top students had gone on to teach self-defence to the Green Berets, the Denver Sheriff's Department, the Air Force Academy, the Navy, the Army, the Marines, the Los Angeles Police Department, West Point, the Denver Police Department, the Aurora Police Department, and “the majority of the Universities in the state of Colorado.”

Some of them have names attached. Lee Taylor taught at West Point and Harry Jordan at Rice; Officer William Kagahara instructed for the Colorado Highway Patrol; Wayne Pennell and Don Walker taught at the Denver Police Academy, and Pat Ford took the university extension classes. Norm Rose, seventh degree, taught self-defence to the Green Berets in Vietnam; Don Black was self-defence instructor for Aurora; Al Richardson, whose flying kick is further down this page, went to the LAPD. And Jerry Diffee, whom Goody is photographed throwing, joined the Marines and retired a colonel.

The school had eight hundred members by then. Goody signed the brochure as president, and said he was proudest of how many Denver police officers belonged to it.

A black and white photograph of a soldier in helmet and fatigues standing before a wooden building, a rifle with fixed bayonet held horizontally across his shoulders.
Transcribed from the booklet: “Hand to hand combat taught by Sergeant Frank J. Goody, Sr. during World War II.” Full size →
A black and white photograph of five men standing indoors. Second from left a uniformed US Army general with decorations; beside him a tall Western man in a light suit; to the right two Japanese men in white shirts.
Transcribed from the booklet: “Mr. Goody introducing the Aikido Kai to General Clark (left to right) Mr. Nokei (France), General Clark, Mr. Goody, Koichi Tohei, and Kisshomaru.” Goody is the man walking a US general into aikido, standing between O Sensei's chief instructor and O Sensei's son. Which general is not settled — see the note below. Full size →

Who is the general? Still open, and here is where the work has got to. The booklet says “General Clark”, and the two obvious Clarks have been checked against their official portraits and ruled out. Gen. Mark W. Clark, who commanded the Far East Command from Tokyo in 1952–53, has a far narrower face than the man here. Gen. Clifton B. Cates, Commandant of the Marine Corps, was proposed instead — Shihan Goody was a Marine — but he is older in his portrait, with different brows. Neither wears the moustache this man plainly does.

The photograph will not settle it either. The marks on his chest are about ten centimetres across, measured against his head — five times too wide to be rank insignia, and most likely a row of medals. The marks on his shoulder are the right size for rank, but each is three or four dots of a printer's screen and they cannot be counted. What we hold is a halftone of a 1950s snapshot, reprinted in 1983 and scanned since. The original print would answer it in one pass. If it survives — or if anyone recognises the face — the dojo would like to hear.

And the year is not evidence. This booklet was put together by students of Shihan Goody decades after the events, and its dates fail: another photograph in it is dated a year after the man in it had died. Years are printed here as the booklet gives them and nothing is built on them. The people, the places and the captions' own wording are a different matter — those come from the school.

Ju-Jitsu Heritage

The Jujitsu Line

Judo is a style of jujitsu, and the men who taught our teachers taught both. So this is one line, not two: the judo masters stand inside it rather than beside it.

  1. Jigoro Kano Founder of Kodokan Judo

    A judo teacher, and the man who made it one: he gathered the older jujitsu traditions into a single coherent system, and set the principle of maximum efficiency with minimum effort that still governs how we teach throwing.

  2. Mifune, Nagai and Ichi Jima The Old Kodokan · Shihan Goody's teachers there

    Three men, teaching him at the same place in the same years — not one after another.

    Kyuzo Mifune, tenth dan, a judo teacher and among the most technically refined judoka ever to teach. His emphasis on kuzushi — taking balance before force — is the thread running through our whole throwing curriculum.

    Nagai Sensei, eighth dan, Goody's jujitsu teacher there. Nagai Ryu is the jujitsu this dojo practises; it still heads the dojo's own glossary, and Nagai is one of our kata as well.

    Ichi Jima Sensei, sixth dan, the third of them. A photograph of him with Mr Goody is in the 1967 Ox kata booklet, and another, of him with Sensei Art Dorris, hangs in the Yama Arashi office today.

  3. Shihan Frank Goody Denver · trained at the Old Kodokan

    Frank J. Goody, Sr. began judo with his father as early as 1924 and was the first instructor to teach karate in the Rocky Mountain region. Between 1945 and 1951 he ran yawara tournaments at his Denver judo school, and he is credited with teaching nearly all the other karate pioneers in Colorado. The kata booklets he wrote are still worked from here.

  4. Yama Arashi Denver, from 1997

    Teaching today on Wednesday evenings, under the same principles, from the same kata.

Karate Heritage

Ting Yang & Shin Go Ju Ryu

Our karate is Shin Go Ju Ryu — 新剛柔流, the "new hard-soft school" — and it reaches us through one man.

Ting Yang was its founder, eighth dan, hereditary master of Ting Yang Ryu Karate and a master of China's Southern Shaolin temple. His father was a master of the Northern temple, and Ting Yang studied there too on his travels — which is why the kung fu that came down this line carries both. He was Chinese with some Japanese ancestry, lived in Singapore and Okinawa, and was said to know hundreds of kata. Ting Yang was the name he took as a martial artist; he was born Wang Yongdeng, 王勇邓.

Frank Goody studied with him in Okinawa. Ting Yang presented Goody with four certificates, two in 1954 and two in 1956, one of which named him Shihan of Shin Go Ju Ryu. Two of them used to hang on the back of the door between the front office and the little dojo.

In the 1960s Ting Yang moved to the People's Republic of China. What became of him afterwards, or of his daughters, nobody in this country knows.

What the style actually is, the school set down itself in 1983: Shin Go Ju Ryu is the Ting Yang Ryu and Matsuyama Ryu styles of karate combined. Between them they bring the power of the hard styles and the swift, subtle techniques of the soft ones; close-in fighting; throws, armlocks, wrist locks and matwork; and weapons. The booklet is plain about why the list runs that wide — the style “emphasizes being familiar with all of the other major martial arts, so that one is prepared to deal with any given situation.”

So the two lines on this page are not separate after all. Our karate carries Professor Matsuyama's name inside it as well as Ting Yang's.

A drawn portrait of Ting Yang in the collar of a Chinese jacket, with his name in Chinese characters down one side and a handwritten dedication across the top.
Ting Yang, founder of Shin Go Ju Ryu and Shihan Goody's karate teacher — hereditary master of Ting Yang Ryu and a master of China's Southern Shaolin temple. Across the top, in Goody's hand: July 7, 1961. To my friend and student Ron Small, a great student of Ju Jitsu and Karate. Full size →
A black and white photograph of two men in a dojo. One stands braced in a gi holding a microphone; the other is completely airborne beside him, body horizontal, driving a side kick out at the standing man's head height.
Transcribed from the booklet: “One of Mr. Goody's outstanding students, Al Richardson, seventh degree blackbelt, demonstrates the flying side snap kick. Al Richardson is the former self-defense instructor for the Los Angeles Police Department.” Full size →

Tai Chi Heritage

The Chen Family

Yama Arashi teaches the Chen style of Tai Chi Chuan. Chen is the oldest of the family styles and the root from which Yang, Wu and the others descend — it retains the changes of speed and the explosive releases that the later styles smoothed away.

Our head instructor has studied extensively with Master Chen and is licensed to teach this ancient style. That licence is the link: it is not a claim of descent by reading, but a direct transmission from within the family line.

The dojo holds the chart that places him in it. The Chen’s Tai Chi Chuan Association U.S.A. genealogy runs the family through nineteen generations. It was written by Chen Bai-Xian at Chen Jia Gou, Wen County, Henan, on 4 April 1981, and it was translated into English by Sifu Gene Chen and John Rogers — our own Sifu Gene Chen, who did the translating.

How far back that runs is on the chart itself. It opens with 陳卜 Chen Bu — marked 始祖, founding ancestor — who brought the family to the village now called Chen Jia Gou in about 1374, at the beginning of the Ming. He is the first generation, and the family's martial tradition starts with him. The art we know as Tai Chi is credited later, to 陳王庭 Chen Wang-ting in the ninth generation — and the chart gives his dates in its own hand, hedged with 約, approximately: 1600 to 1680. So roughly six hundred and fifty years of family, and roughly four hundred of the art.

He is on it. In the nineteenth-generation column — 十九世 — his name appears as 陳進鴻, Chen Jin-hong, with GENE CHEN lettered above it, and a line running back to 陳照奎 Chen Zhao-kui (1928–1981), the youngest son of 陳發科 Chen Fa-ke (1888–1957), who is on the chart with those dates. Chen Fa-ke is the man who brought the family art out of the village to Beijing in 1928; everything most people now recognise as Chen style passes through him. That is the Master Chen, and that is the generation.

A wide printed genealogical chart headed with Chinese characters and a taijitu, ruled into columns labelled second generation through nineteenth generation, each column a dense list of names in Chinese with romanisations above them, linked by dashed lines. Two large red seals are stamped across it, and a red arrow at the right points to the name Gene Chen in the nineteenth-generation column. Explanatory notes in English and Chinese run beneath.
The Chen family genealogy. Nineteen generations, left to right — Chen Bu at the far left, Sifu Gene Chen at the far right. The red arrow is ours, added to find him; it is the only mark on the sheet that is not the chart's own. Names that are underlined are those the chart records as having reached the rank of instructor. Much of the underlying record, the compiler notes, was lost in the war against Japan, the civil war and the Cultural Revolution, and the table was rebuilt from Chen Xin’s Illustrated Explanation of Chen Family Taijiquan — the chart’s own English romanises him as “Chen-Xia” — and from scattered first-hand accounts. Full size →

Revered Heritage

Those We Learned From

The Lineage

Drawn by Shihan Goody

Also Named

Do we need to add to this list, or trim it? We need photographs and accomplishments for many of the people already here, and we don't want the list to explode. The lineage above is deliberately short — this is where everyone else belongs, but only while it stays worth reading.

Teaching Today

Our Instructors

Our teachers average thirty years of experience, and our senior instructors more than forty-five.

Mark Nothdurft, Senior Instructor

Mark Nothdurft

Senior Instructor

Teaches Chen style Tai Chi Chuan on Tuesdays and Kid's Karate on Saturday mornings. Licensed to teach the Chen style after extensive study with Master Chen.

He is in the American Judo College's 1983 anniversary booklet as a first-degree black belt, working a spear take-away with Art Doris — so the line from Shihan Goody to the Tuesday class is one man long.

Jim Hansen, Senior Instructor

Jim Hansen

Senior Instructor

Teaches Classical Jujitsu on Wednesday evenings — ukemi, kata, control holds, and the Judo throws that come down the Kano line.

George Donovan, Senior Instructor

George Donovan

Senior Instructor

Teaches Traditional Karate on Thursday evenings, from basic drills through kata, two-person work, weapons kata and kumite.

Adam Surber, Instructor

Adam Surber

Instructor

Teaches the Kenjitsu class on Tuesday evenings, after Tai Chi. He also trains in the Wednesday jujitsu class.

Photographs are coming. The first three portraits are the dojo's own, taken from the current site. Adam Surber's is his framed portrait in the dojo office, photographed through the glass in September 2026 and standing in only until something better exists. Jakob has already photographed the instructors for this site, and those images replace all four as soon as they arrive. None of these cards opens a biography, because none of the four has sent one.