A martial art is a thing handed from one pair of hands to
the next. These are the hands ours came through.
The School
Yama Arashi Ryu
Yama Arashi Ryu is a diverse gathering of instructors with a deep
understanding of many martial arts, including Jujitsu, Tai Chi, Judo
and Karate. We maintain a traditional approach to teaching: the
emphasis remains on the student developing self-esteem,
self-confidence, self-defense skills, and physical fitness through the
study of katas.
Our instructors teach as volunteer stewards. There are no contracts,
no sales staff, and no commercial stakeholders — only the
obligation, giri, to repay what their own teachers gave them.
That house is where it started. Shihan Frank Goody
founded the American Judo College in 1934
— not in a hall or a gym but in a carriage house, at the
back of a property, out of sight from the road. The first was at
909 Pearl Street. The school then moved to the one
behind the building above: the Goody family's own residence at
1007 Pennsylvania Street, with the dojo in the coach
house at the rear.
After that it kept outgrowing itself. Franklin
Street. Emerson Street. Then a hall on Columbine Street
— the first building in Denver put up on purpose for judo and
karate. And at last 1995 South Bannock Street, where it
stayed for thirty years. By the early sixties it had eight
hundred members, and Shihan Goody, signing its brochure as
president, said he was proudest of how many of them were Denver police
officers. It called itself the oldest martial arts school in the United
States between New York City and San Francisco, and it kept its
fiftieth anniversary in December 1984.
Then it closed. The school Goody had founded —
by then renamed the American Budo College — came to an end. The
people who were left started Yama Arashi Ryu in
1997.
We are all that remains of a school that
ran for sixty-three years.
Yama arashi — 山嵐, "mountain storm"
— is a judo throw, and one of the most admired in the art: a
simultaneous reap and lift that takes the opponent up before it takes
him down.
It was also Shihan Goody's own name — what he
was called, and what he wrote and drew under. Every plate in his kata
booklets carries it: 画 山嵐,
drawn by Yama Arashi. So the name reaches us twice over, from
the throw and from the teacher who signed his books with it.
Red Dorris — Walter F. Doris — and his
brother Art Dorris were, until their passing, the two
most senior people at this school. Red died around 2005, Art a few
years ago. A student of Shihan Goody's remembers Red as the man who
"became my mentor and benefactor, teaching me lessons in life and
Bushido in the tradition of a Japanese sensei."
The dojo teaches these arts as one inheritance rather than as several
schools sharing a room. Follow any of them back far enough — the
jujitsu through Japan, the karate through Okinawa and Southern China,
the tai chi through Henan — and the line runs to
Shaolin. That is the through-line this school teaches,
and it is why a student here is expected to meet the same principles
again in a throw, a block and a push.
Photograph of 1007 Pennsylvania Street courtesy of
the Denver Public Library, Western History Department.
Still needed here.When did the
American Judo College close, and why? That is the hinge of the whole
story above and the page does not have it. Nor does it have which
teachers made the move in 1997, or how the school came to 6180 East
Warren Avenue. The Dorris brothers' part in founding it should be stated
exactly rather than approximately, which is why this page does not state
it yet.
Beyond The Dojo
The American Judo College's own crest. The four panels
name the arts — 柔道 judo,
柔術 jujutsu,
空手 karate and
合氣 aiki — each with a small
figure working it. The cross is Shihan Goody's: the school's papers
give him as Rev. Frank J. Goody, Sr., D.D.
Who Came To Learn
A dojo can say what it likes about itself. This is the
part that was checkable at the time, because it happened in other
people's institutions.
Before the war, Shihan Goody was teaching at
the CMS Military Academy — the US cavalry school
— and to the US Merchant Marine, aboard ship. He
spent the war itself as a Marine sergeant teaching hand-to-hand combat,
at several bases and in the Japanese Islands.
After it, the list runs: the Colorado National Guard,
the Marine Reserve, the Denver Police
Department for eighteen years, the YMCA, and the classrooms of
Metropolitan State College, CU Boulder, UC Denver, Community
College, Regis College and Denver University. The American Judo
College taught credit classes for Colorado University, on campus and at
the extension center.
Then his students went and did the same thing. By
1983 the school could set the list out flat — Shihan Goody's top
students had gone on to teach self-defence to the Green
Berets, the Denver Sheriff's Department, the
Air Force Academy, the Navy, the
Army, the Marines, the Los
Angeles Police Department, West Point, the
Denver Police Department, the Aurora Police
Department, and “the majority of the Universities in the
state of Colorado.”
Some of them have names attached. Lee Taylor taught at West Point and
Harry Jordan at Rice; Officer William Kagahara instructed for the
Colorado Highway Patrol; Wayne Pennell and
Don Walker taught at the Denver Police
Academy, and Pat Ford took the university
extension classes. Norm Rose, seventh degree, taught
self-defence to the Green Berets in Vietnam; Don Black
was self-defence instructor for Aurora; Al Richardson,
whose flying kick is further down this page, went to the LAPD. And
Jerry Diffee, whom Goody is photographed throwing,
joined the Marines and retired a colonel.
The school had eight hundred members by then. Goody
signed the brochure as president, and said he was proudest of how many
Denver police officers belonged to it.
Transcribed from the booklet: “Hand to hand
combat taught by Sergeant Frank J. Goody, Sr. during World War
II.”
Full size →Transcribed from the booklet: “Mr. Goody
introducing the Aikido Kai to General Clark (left to right) Mr.
Nokei (France), General Clark, Mr. Goody, Koichi Tohei, and
Kisshomaru.” Goody is the man walking a US general into aikido,
standing between O Sensei's chief
instructor and O Sensei's son. Which general is not settled
— see the note below.
Full size →
Who is the general? Still open, and here is
where the work has got to. The booklet says “General
Clark”, and the two obvious Clarks have been checked against their
official portraits and ruled out. Gen. Mark W. Clark, who
commanded the Far East Command from Tokyo in 1952–53, has a far
narrower face than the man here. Gen. Clifton B. Cates,
Commandant of the Marine Corps, was proposed instead — Shihan
Goody was a Marine — but he is older in his portrait, with
different brows. Neither wears the moustache this man plainly
does.
The photograph will not settle it either. The
marks on his chest are about ten centimetres across, measured against
his head — five times too wide to be rank insignia, and most
likely a row of medals. The marks on his shoulder are the right
size for rank, but each is three or four dots of a printer's screen and
they cannot be counted. What we hold is a halftone of a 1950s snapshot,
reprinted in 1983 and scanned since. The original print would answer
it in one pass. If it survives — or if anyone recognises the
face — the dojo would like to hear.
And the year is not evidence. This booklet
was put together by students of Shihan Goody decades after the events,
and its dates fail: another photograph in it is dated a year after the
man in it had died. Years are printed here as the booklet gives them and
nothing is built on them. The people, the places and the captions' own
wording are a different matter — those come from the school.
Ju-Jitsu Heritage
The Jujitsu Line
Judo is a style of jujitsu, and the men who taught our
teachers taught both. So this is one line, not two: the judo masters
stand inside it rather than beside it.
Jigoro KanoFounder of Kodokan Judo
A judo teacher, and the man who made it one:
he gathered the older jujitsu traditions into a single coherent
system, and set the principle of maximum efficiency with minimum
effort that still governs how we teach throwing.
Mifune, Nagai and Ichi JimaThe Old Kodokan · Shihan Goody's teachers there
Three men, teaching him at the same place in the same years
— not one after another.
Kyuzo Mifune, tenth dan, a judo
teacher and among the most technically refined judoka ever to
teach. His emphasis on kuzushi — taking balance before force
— is the thread running through our whole throwing
curriculum.
Nagai Sensei, eighth dan, Goody's jujitsu
teacher there. Nagai Ryu is the jujitsu this dojo
practises; it still heads the dojo's own glossary, and Nagai is one
of our kata as well.
Ichi Jima Sensei, sixth dan, the third of them.
A photograph of him with Mr Goody is in the 1967 Ox kata booklet,
and another, of him with Sensei Art Dorris, hangs in the Yama
Arashi office today.
Shihan Frank GoodyDenver · trained at the Old Kodokan
Frank J. Goody, Sr. began judo with his father as early as 1924 and
was the first instructor to teach karate in the Rocky Mountain
region. Between 1945 and 1951 he ran yawara tournaments at his
Denver judo school, and he is credited with teaching nearly all the
other karate pioneers in Colorado. The kata booklets he wrote are
still worked from here.
Yama ArashiDenver, from 1997
Teaching today on Wednesday evenings, under the same principles,
from the same kata.
Karate Heritage
Ting Yang & Shin Go Ju Ryu
Our karate is Shin Go Ju Ryu —
新剛柔流, the "new hard-soft school" —
and it reaches us through one man.
Ting Yang was its founder, eighth dan, hereditary
master of Ting Yang Ryu Karate and a master of China's Southern Shaolin
temple. His father was a master of the Northern temple,
and Ting Yang studied there too on his travels — which is why the
kung fu that came down this line carries both. He was Chinese with some Japanese ancestry, lived in Singapore
and Okinawa, and was said to know hundreds of kata. Ting Yang was the
name he took as a martial artist; he was born
Wang Yongdeng, 王勇邓.
Frank Goody studied with him in Okinawa. Ting Yang presented Goody
with four certificates, two in 1954 and two in 1956, one of which named
him Shihan of Shin Go Ju Ryu. Two of them used to hang on the
back of the door between the front office and the little dojo.
In the 1960s Ting Yang moved to the People's Republic of China. What
became of him afterwards, or of his daughters, nobody in this country
knows.
What the style actually is, the school set down itself
in 1983: Shin Go Ju Ryu is the Ting Yang Ryu and
Matsuyama Ryu styles of karate combined. Between them
they bring the power of the hard styles and the swift, subtle techniques
of the soft ones; close-in fighting; throws, armlocks, wrist locks and
matwork; and weapons. The booklet is plain about why the list runs that
wide — the style “emphasizes being familiar with all of the
other major martial arts, so that one is prepared to deal with any given
situation.”
So the two lines on this page are not separate after all. Our karate
carries Professor Matsuyama's name inside it
as well as Ting Yang's.
Ting Yang, founder of Shin Go Ju Ryu and Shihan
Goody's karate teacher — hereditary master of Ting Yang Ryu and
a master of China's Southern Shaolin temple. Across the top, in
Goody's hand: July 7, 1961. To my friend and student Ron Small, a
great student of Ju Jitsu and Karate.Full size →Transcribed from the booklet: “One of Mr. Goody's
outstanding students, Al Richardson, seventh degree blackbelt,
demonstrates the flying side snap kick. Al Richardson is the former
self-defense instructor for the Los Angeles Police Department.”
Full size →
Tai Chi Heritage
The Chen Family
Yama Arashi teaches the Chen style of Tai Chi
Chuan. Chen is the oldest of the family styles and the root from which
Yang, Wu and the others descend — it retains the changes of speed
and the explosive releases that the later styles smoothed away.
Our head instructor has studied extensively with Master Chen and is
licensed to teach this ancient style. That licence is the link: it is
not a claim of descent by reading, but a direct transmission from
within the family line.
The dojo holds the chart that places him in it. The Chen’s
Tai Chi Chuan Association U.S.A. genealogy runs the family through
nineteen generations. It
was written by Chen Bai-Xian at Chen Jia Gou, Wen County, Henan,
on 4 April 1981, and it was translated into English by
Sifu Gene Chen and John Rogers — our own
Sifu Gene Chen, who did the translating.
How far back that runs is on the chart itself. It opens with
陳卜 Chen Bu — marked
始祖, founding ancestor — who
brought the family to the village now called Chen Jia Gou in about
1374, at the beginning of the Ming. He is the first generation,
and the family's martial tradition starts with him. The art we know as
Tai Chi is credited later, to 陳王庭 Chen
Wang-ting in the ninth generation — and the chart
gives his dates in its own hand, hedged with
約, approximately:
1600 to 1680. So roughly six hundred and fifty years of family,
and roughly four hundred of the art.
He is on it. In the nineteenth-generation column —
十九世 — his name appears as
陳進鴻, Chen Jin-hong, with GENE CHEN
lettered above it, and a line running back to
陳照奎 Chen Zhao-kui (1928–1981),
the youngest son of 陳發科 Chen Fa-ke
(1888–1957), who is on the chart with those dates. Chen Fa-ke is
the man who brought the family art out of the village to Beijing in
1928; everything most people now recognise as Chen style passes through
him. That is the Master Chen, and that is the generation.
The Chen family genealogy. Nineteen generations,
left to right — Chen Bu at the far left, Sifu Gene Chen at the
far right. The red arrow is ours, added to find him; it is the
only mark on the sheet that is not the chart's own. Names that are underlined are those the chart records
as having reached the rank of instructor. Much of the underlying
record, the compiler notes, was lost in the war against Japan, the
civil war and the Cultural Revolution, and the table was rebuilt from
Chen Xin’s Illustrated Explanation of Chen Family Taijiquan — the chart’s own English romanises him as “Chen-Xia” — and from
scattered first-hand accounts.
Full size →
Do we need to add to this list, or trim it?
We need photographs and accomplishments for many of the people already
here, and we don't want the list to explode. The lineage above is
deliberately short — this is where everyone else belongs, but only
while it stays worth reading.
Teaching Today
Our Instructors
Our teachers average thirty years of experience, and our
senior instructors more than forty-five.
Mark Nothdurft
Senior Instructor
Teaches Chen style Tai Chi Chuan on Tuesdays and Kid's Karate on
Saturday mornings. Licensed to teach the Chen style after extensive
study with Master Chen.
He is in the American Judo College's 1983 anniversary booklet as a
first-degree black belt, working a spear take-away with
Art Doris — so the line from Shihan
Goody to the Tuesday class is one man long.
Jim Hansen
Senior Instructor
Teaches Classical Jujitsu on Wednesday evenings — ukemi,
kata, control holds, and the Judo throws that come down the Kano
line.
George Donovan
Senior Instructor
Teaches Traditional Karate on Thursday evenings, from basic
drills through kata, two-person work, weapons kata and kumite.
Adam Surber
Instructor
Teaches the Kenjitsu class on Tuesday evenings, after Tai Chi.
He also trains in the Wednesday jujitsu class.
Photographs are coming. The first three
portraits are the dojo's own, taken from the current site. Adam Surber's
is his framed portrait in the dojo office, photographed through the glass
in September 2026 and standing in only until something better exists.
Jakob has already photographed the instructors for this site, and those
images replace all four as soon as they arrive. None of these cards opens
a biography, because none of the four has sent one.
Head instructor of the American Karate School of Boulder, which was in fact a Tang Soo Do school. He had studied with Lt. Choi of the Moo Duk Kwan, at Shihan Goody's invitation.
He left for Arizona, and a student at that school remembers him as “our last Moo Duk Kwan black belt”.
Goody appointed Bob Jay in his place — which is how Bestol's name survives in the booklet at all, in the caption to somebody else's drawing.
Named in Goody's 1967 caption for Bob Jay as “Mr. J. Bestol”. Arizona and the Moo Duk Kwan line from Ron Small of the Western Mountain Jujutsu Society, who trained at the Boulder school. That the Boulder school taught Tang Soo Do is confirmed independently by Sensei Steve, September 2026, who calls it “an early Korean style” — two unconnected sources rather than one blog.
His portrait in the dojo office, captioned George Brangioccio — Karate. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.
Sixth degree by 1983, and photographed that year in a free-for-all at the American Judo College alongside Dennis Warner and Steve McDanal. Shihan Goody had drawn him as a sankyu sixteen years earlier, which is the distance a serious student covers in a working lifetime at one school.
Settled, September 2026. Two spellings had been in play — Shihan Goody captioned his 1967 drawing Brangoccio, the frame on the dojo wall reads Brangioccio — and Astone’s ruling was that nothing could be decided without a third document. There is one. The American Judo College’s 1983 anniversary booklet captions a free-for-all photograph “George Brangoccio (sixth degree)”. Two of the school’s own papers, sixteen years apart, against one frame. This page keeps Brangoccio.
This drawing of George Brangoccio, Sankyu, demonstrating the Yawara Sword Kata. He is standing in the Tsuru Ashi Dachi or the Crane Stance. George performed this Kata at the International Tournament in Long Beach; International Budo Tournament, and on many other demonstrations. (George taught Mr. Goody to ride a motorcycle.)
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
The drawing and its caption are from Goody’s 1967 booklet. The 1983 grade and the spelling are from the American Judo College anniversary booklet; see research/ajc-archive.md.
Lou Brigham, Shodan U.S.K.A., Shin Go Ryu Karate, Sandan 3rd degree Judo, Yondan 4th degree Ju Jitsu, Godan 5th degree Yawara. Mr. Brigham or "Buddy" was All Colorado State Wrestling Champion Third Place one year; the following year All Colorado State Wrestling Champion Second Place; and the next year All Colorado State Wrestling Champion First Place — and he was also first place in Yawara and in several Judo tournaments. For 11 years he was Judo instructor for the Main Y.M.C.A. He was praised by instructor Ichi Jima Sensei 6th degree from Japan. He is expert at Katame No Kata, mat work of Kodokan Judo. He has won numerous trophies and tournaments. He is an excellent instructor and loyal to the American Judo College.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
His portrait in the dojo office, captioned Gene Chen — Sifu, Tai Chi. The camera clipped the lower line. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.
Our Tai Chi line, and the one master on this page whose place in it is written down. He is 陳進鴻, Chen Jin-hong, born in Shanghai in 1938 and a pioneer of Chinese martial arts in the United States.
He stands in the nineteenth generation of the Chen family on the Chen’s Tai Chi Chuan Association U.S.A. genealogy — the chart that hangs in this dojo, and the one he himself translated into English. A line on it runs back to 陳照奎 Chen Zhao-kui (1928–1981), youngest son of 陳發科 Chen Fa-ke (1888–1957). The chart is on this page.
He is also recorded as having studied under Feng Zhiqiang, and with Lei Muni, Tian Xiuchen, Hong Junsheng and Chen Yuxia — Chen Fa-ke’s own daughter. Every one of those names is on the same chart, in Chen Fa-ke’s list of disciples.
What the chart does not settle. It gives no date, and it does not say what the line from Chen Zhao-kui means. Every son printed on it carries a birth-order numeral and a count of his own sons; this entry carries neither, and it is lettered in a different hand from the printed names — so it reads as a teaching line added to the chart rather than a blood line printed in it. Someone who reads Chinese should check that before it hardens.
The dates are Wikipedia’s: born 1 August 1938 in Shanghai, died 5 June 2001 in San Francisco. It is a thin article — three references — and it never mentions Denver, this school or Shihan Goody, so it is worth saying why we are confident it is the same man. It agrees with the dojo’s own chart on four things independently: the name, the birth year, Shanghai, and Chen Zhao-kui and Feng Zhiqiang as his teachers. One coincidence is possible; four is not. It also gives him a second art this page does not cover, Chu Gar Southern Praying Mantis, and has him teaching in San Francisco — the Richmond District, Fort Mason and Golden Gate Park.
The genealogy chart on the dojo wall, which names him as one of its two translators and places him in the nineteenth generation. See research/chen-genealogy-chart.md. The teachers named in the third paragraph are from outside accounts of Chen Jin-hong and are not on the chart as his teachers.
Goody opens his booklet with him, and the reason is an argument about where the striking arts came from: a spear master who found his weapon kata worked just as well with empty hands.
Chinese General Ching Chung Dou was a very famous spear fighting expert. He found that in practicing his Spear Kata every day that by laying his spear down and going through the same motions that he had very good movements which he could use in bare hand fighting. The above illustration shows him with spear and without spear. Without the spear he is doing Jodan Age Uke with the right hand. With his left hand he is doing Yoko Zuki.This picture of General Ching Chung Dou depicts him doing his Spear Kata. The small insert shows him without spear. If you can analyze it, he is doing Zen Kutsu Dachi. His right arm is doing Ge Dan Barai. His left arm is doing Uchi Ude Uke. This shows how he developed the form of boxing (Karate) from his spear techniques.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
Sixth dan · Judo, Jujitsu, Karate, Yawara, Tai Chi
His portrait in the dojo office. The mount lists five arts under his name — Judo · Jujitsu · Karate · Yawara · Tai Chi — which is more than Shihan Goody had room to record in 1967. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.
Red's brother, and with him one of the two most senior people at this school until his passing a few years ago.
By 1983 he was a sixth degree black belt with twenty-seven years at the American Judo College — which puts him on that mat from about 1956, the year before the photograph below was taken. The same booklet shows him working a spear take-away and a gun take-away with a first-degree black belt named Mark Northdurft.
The photograph below puts him at the American Judo College in 1957, standing with Haruyoshi Ichijima — one of the three masters who taught Shihan Goody at the Old Kodokan. It is the earliest date the archive holds for him.
Art Doris, Judo San Dan, Yawara Sho Dan, Karate Sho Dan. Art has taught the Thornton Highlanders for several years. He is the expert on the "Getta Kata". He has helped the school on many occasions.Shihan Frank Goody, 1967
In the Yama Arashi office. Transcribed from the caption band: “Haruyoshi Ichijima, Rokudan & Art Doris, 1957.” Both men wear gi lettered AJC, for Shihan Goody’s American Judo College. Art Doris is the tall man on the left; Ichijima Sensei is on the right. The printed caption band names them in the other order, so the photograph needed somebody who knew Art to read it — Astone, 2026-09-24. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.From the 1983 booklet: “Art Doris, sixth degree blackbelt, with 27 years of experience at the American Judo College, works a spear take away with Mark Northdurft (first degree).” That is Mark Nothdurft, who is president of this dojo and teaches its Tai Chi today — a first-degree black belt in Goody’s school, learning from Art Doris, forty-three years ago.
Goody spells the name Doris, with one r, as does the frame on the dojo wall. His 1967 quotation is from the page of his booklet that lists the black belts he had no room to draw. The 1957 photograph is in the dojo office; see research/office-wall-portraits.md.
His portrait in the dojo office, captioned Red Doris — Judo. The dojo's own wall spells the name with one r, as Shihan Goody did. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.
Known at this dojo as Red Dorris; a student of Goody's who trained under him names him in full as Walter F. Doris. Until his passing around 2005 he and his brother Art were the two most senior people at the school.
Red Doris, Ju Jitsu San Dan, Judo Ni Dan, Karate Sho Dan. Red is an outstanding teacher. He has conducted one of the finest Ju Jitsu classes in the world. He is a hard-worker and a loyal teacher.Shihan Frank Goody, 1967
Goody spells the name Doris, with one r. Quoted from the page of his 1967 booklet that lists the black belts he had no room to draw.
Pat Ford, Judo Yon Dan, Yawara Sho Dan, Karate Nidan, Aikido Sho Dan, Ju Jitsu Ni Dan. Pat is the Rocky Mountain Judo Champion -- undefeated. He is a great contester and teacher. If you are in Pat's class, you had better be in good condition.Shihan Frank Goody, 1967
Goody's own words, from the page of the 1967 booklet that lists the black belts he had no room to draw: “I am sorry but, due to the shortness of time, many of our black belts and assistant teachers as well as students are not in this booklet. I would like to mention a few of these.”
The line does not start with Shihan Goody. It starts with his father.
Forest Goody had studied the martial arts in the Orient, and so had his father and his father before him — three generations of Goodys in the same schools, under the same masters, before Frank was born. Holding to that, he began his son’s jujitsu training when the boy was three years old. Ten years later it was the family’s letters of introduction, prepared by Forest, that got a teenaged American through the door of the Old Kodokan.
And there is an answer to the obvious question — how a Denver family came to have contacts inside the martial schools of Asia at all. It is not a martial answer. Shihan Goody’s great-grandfather was a Prussian military advisor in China during the Boxer Rebellion, and his grandfather was in China at the same time as a liaison for the German government. Germany was one of the eight powers that put that rising down, between 1899 and 1901. Whatever those two men were doing there, they came home with people they knew — and the school’s own booklet is plain that it was those personal contacts, built by the great-grandfather, the grandfather and then Forest, that later let a teenaged American walk into the Old Kodokan.
He turns up once more, and it matters. When his son went to the war, Forest Goody kept the American Judo College open. A school founded in 1934 that has never closed owes that to him.
We have his name and little else. No dates, no photograph, and no account of where any of the three generations trained or with whom. The German connection to China is the one thread with a date on it, and a Prussian officer in China in 1900 ought to be traceable. If anyone in the family or the Yudanshakai can fill this in, it is the oldest thread the school has.
Tom Miller’s profile of Shihan Goody in American Karate, September 1986, for the three generations and the training at three years old. The Boxer Rebellion, the Prussian advisor and the German liaison are from the school’s own 49th anniversary booklet of 1983, which is the only document that says why the family was in China. Both are in the American Judo College papers; see research/ajc-archive.md. Retold here, not reproduced.
Shihan Frank J. Goody, Sr., signed across the corner in his own hand.
His first teacher was his own father. Forest Goody started him in jujitsu at three years old, in a family where his father, grandfather and great-grandfather had all studied in the Orient. Ten years later he went west to the Seattle–Tacoma shipyards as a ship fitter lead man and crossed the Pacific for the first time, carrying letters of introduction his family had prepared — which put him into the same schools, under the same masters, as the Goodys before him. Those letters had been forty years in the making, and they started with a Prussian officer in China. He taught his shipmates on deck on the way.
At the Old Kodokan he became one of the very few Westerners training there, under Mifune, Nagai and Ichijima. He came home a Kodokan nidan. He also learned something else there, and a 1986 profile puts it bluntly: he learned what it was to be taken for a “whiteface” and a barbarian, and got past it. His students in Denver were taught courtesy to everyone as hard as they were taught the arts.
He founded the American Judo College in 1934, and he founded it in a carriage house — at the back of a property, out of sight from the road. The school’s own information brochure puts that first carriage house at 909 Pearl Street and moves it to the Goody family’s home at 1007 Pennsylvania Street afterwards, a turreted Victorian mansion on Capitol Hill. It went on from there to Franklin Street, to Emerson Street, to the first hall anyone here built on purpose for judo and karate on Columbine Street, and at last to 1995 South Bannock. It kept its fiftieth anniversary in December 1984 and called itself, in its own booklet, the oldest martial arts school in the United States between New York City and San Francisco. It was renamed the American Budo College later. This dojo came out of it.
By the early 1960s that school had eight hundred members, two hundred of them active, and Goody signed its brochure as president. He was proud of one number in particular — how many Denver police officers belonged.
He was a Marine. He had been teaching in uniform before the war already — at the CMS Military Academy, the US cavalry school, and to the US Merchant Marine aboard ship — and the Corps worked out that its hard-fighting boxer ought to be teaching hand-to-hand combat. Sergeant Goody spent the war doing it, at several bases and in the Japanese Islands, against people he had trained among, which the 1986 profile says he felt. Afterwards he went back with a group of armed-forces martial artists to tour Japan giving exhibition judo, on the reasoning that sport could mend something the war had broken. His father kept the school open in Denver while he was gone.
He could fight, and there is a number on it. In California after the war he won twenty-two consecutive amateur boxing matches, nineteen by knockout.
He was the first instructor to teach karate in the Rocky Mountain region, and is credited with teaching nearly all the other karate pioneers in Colorado. He ran yawara tournaments at his Denver judo school between 1945 and 1951.
By 1966 he was a fourth dan in the United States Karate Association and its district director for the Rocky Mountains, both of which he set down beside his name on his own stance chart.
He also served eighteen years with the Denver Police Department as its hand-to-hand and self-defence instructor. (Eighteen is the figure in two of the school’s own documents, his 1967 booklet and the 1986 profile; an outside account says nineteen.) In 1961 that department was broken open: a ring of serving officers had been burgling the city, casing jobs from their patrol cars and coming back at night while colleagues listened to the police radio. More than fifty were implicated. Around forty went to prison — close to seven per cent of the force.
The account handed down in this dojo is that Goody resigned over it, and that he set out his reasons in a book he published himself. No copy of that book has surfaced. But his own booklet of 1967 writes the police career up as a finished thing — eighteen years of it, spoken of in the past tense, under a photograph of one of his police classes. Eighteen years ending where the dojo's account ends them is not proof of why he left, and the rest still reaches us from the men he taught rather than from the public record. But the shape of it is now in his own paper.
He went back to Japan in 1965. Photographs from that trip put him at Ichi Jima Sensei's dojo in Meguro-ku, Tokyo, and standing beside Nagai Sensei — in a gi lettered AJC, for his own American Judo College. The captions give his grades as Kodokan nidan in judo and rokudan in jujitsu, which is exactly what his student in Maine remembered independently sixty years later.
Who taught him is a longer list than this page has ever carried, and the school set it out itself in the booklet below. Besides Ting Yang and Professor Matsuyama — both hereditary masters, and both, by marriage, descendants of the Forty-Seven Ronin — it names Morihei Ueshiba, founder of aikido, “a master of Kenjitsu, and the former Kenjitsu Instructor for the Japanese Imperial Navy”; Nagai Sensei, eighth degree in both jujitsu and Kodokan judo; Mifune, tenth degree; Mr Wu, former Royal Guard to the Empress of China, a kung fu master and a Taoist priest; Sophia Delza, tai chi chuan, “studied ten years in Peking”; Chen Shen Shung of Shanghai, kung fu and the five animal styles; and Yang Shen Shung, kung fu and a Buddhist priest.
The facing page adds Dr Hotsumi, hereditary master of Koga ninjitsu; Dr Chen Man Ching of Taiwan and Mr Lee, both tai chi chuan; and names his Kodokan instructors as Otaki, eighth degree, Hosakawa, seventh, and Ichijima, sixth. “And many others.”
It then keeps a second list, of instructors he worked with rather than studied under, and the distinction is the booklet’s own: Anton Geesink, the Dutchman who was Olympic, European, All-Japan and world judo champion; Yamaguchi, tenth degree of Go Ju Ryu, and Oyama of Kyokushin — registered at both their schools, taking private lessons from each; and Major Fairbairn, whose system our fourth kata is drawn from.
Two things he said, both worth keeping. To students who thought they were there to learn to fight: “Do you think I’m teaching you how to fight? I’m teaching you to overcome yourselves.” And on why this school still works the way it does: “In the kata lie the secret of the arts.”
He was also an artist. Every drawing in this section is his, from the booklet he wrote and self-published in 1967.
And in Denver he was on television. Not as a martial artist — as Officer Goody, teaching road safety to children, on Sheriff Scotty, Blinkey’s Fun Club, Mary Martin, Fred & Fey, Dick Lewis, and a programme of his own: Officer Goody and His Friends, on Channel 9.
Two names on that list want checking before anyone repeats them. The booklet says Sophia Delza “studied ten years in Peking”; the American tai chi pioneer of that name studied Wu style in Shanghai, under Ma Yueliang, for about three years. Same name, different account — and she is not on the Chen chart in the Tai Chi section, which is expected, because that chart follows the Chen family and the Wu line leaves it generations earlier. And Dr Hotsumi, “hereditary master of Koga Ninjitsu”, is almost certainly Masaaki Hatsumi. The booklet is the school’s own and is trusted about the school; it is demonstrably loose with outsiders’ names and details, so these are printed as it wrote them and not as established fact.
Two accounts of the founding do not fit each other. This page has him founding the American Judo College in 1934, which is the school’s own brochure. Ron Small — who joined in 1963 and ran with the senior black belts — writes that Goody met Matsuyama after the war, became his Ichi Ban, and partnered with him to found the college. Both cannot stand: a school founded in 1934 cannot have been founded with a man met after 1945. Either a date is wrong or “founded” is doing loose work for a later refounding, and the dojo can probably say which.
Yamaguchi: the list heading is the only thing that disagrees. He sits in the booklet’s second list, of instructors Goody worked with rather than studied under — but the booklet’s own entry for him reads: “Tenth degree blackbelt in the Go Ju Ryu st[y]le of Karate. While registered at his school, Shihan Goody took private lessons.” Registered, and taking private lessons, is studying under him. Ron Small has the rank that came of it — Goju Karate, Sho Dan (Yamaguchi). So the two sources agree and it is the heading above the list that misleads.
When he died is not established. A date is in circulation on a personal website, but the dojo does not recognise its author and the claim behind it has changed under questioning, so it is not printed here. The reasoning is in research/mark-grove.md. A death certificate or an obituary would settle it.
Transcribed from the banner and the caption painted on the print: “A group picture of the highest Yodanshaka A.A.U. representatives of Judo in America” — “First National A.A.U. Judo Match, 1953.” Shihan Goody is in the back row, third from the right, identified by Astone in September 2026. He lent his weight to the A.A.U. and the United States Olympic Committee to get judo made an Olympic sport.From the American Judo College’s own 49th anniversary booklet, 1983: the masters Shihan Goody studied under, set out by the school itself. The figure between the columns is Professor Matsuyama, captioned “Hereditary Master of Yawara 1945”. Read the entries for Ting Yang and Matsuyama together and you find the same line twice — each of them, through marriage, a descendant of the Forty-Seven Ronin.Ichi Jima Sensei’s dojo, Meguro-ku, Tokyo, 1965. Transcribed from the printed caption: “Left to right, Miaki Sensei, 3rd dan, women’s judo, Nagai Sensei, 8th dan, Ichijima’s son, Frank J. Goody, Sr., Sensei, Ichijima Sensei, 6th dan, Thambi Rajah Sensei, 3rd dan.” Shihan Goody is the tall figure at the centre, his gi lettered AJC for his own American Judo College.Transcribed from the printed caption: “Left, Mr. Frank J. Goody, Sr., K.D.K., Nidan, Jujitsu Rokudan, 2nd dan judo, 6th jujitsu, and right, Nagaei Sensei, K.D.K., Hachidan, 8th dan judo. (This picture was taken in Japan on Mr. Goody's 1965 trip.)”In the dojo office, captioned Frank Goody — Shihan. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.Mr. Goody is demonstrating how the ancient people used a small axe against a longer weapon. In this first movement he is blocking the pole axe and side stepping to avoid Mr. Kent Hofmann's thrust.Mr. Goody has grabbed Mr. Hofmann's left hand pinning it to the pole axe handle. Then with the handle of the small axe he has locked the shaft of the pole axe and forced a lever against the arm of Mr. Hofmann. Stepping between Mr. Hofmann's legs he throws Mr. Hofmann with a Tai Otoshi using the shaft of the pole axe to trip him.Mr. Hofmann has just been thrown by Mr. Goody. His left hand is still caught. Mr. Goody has stepped on Mr. Hofmann's right hand and has raised the hand axe to cause Mr. Hofmann to surrender or lose his left arm. These movements come from the double Kata of the small hand axe. Chinese Form.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
usadojo.com’s history of karate in America, the Western Mountain Jujutsu Society, and the dojo’s own documents. The father, the 1934 founding, the Marines and the list of teachers are from the American Judo College papers — the 1983 anniversary booklet and Tom Miller’s profile in American Karate, September 1986 — retold here rather than reproduced. See research/ajc-archive.md. The burglary ring is a matter of public record; his resignation over it is this school’s oral tradition, and is marked as such above.
Not a martial artist, and in the booklet anyway. Goody put him there as an argument about leverage: what a trained body can do with structure rather than size.
Goody spells him Gorner; the public record has him as Hermann Görner, born in Saxony in 1891, a circus strongman who lost an eye to shrapnel in the first war and turned professional in 1921. The elephant settles the identification — the published accounts give the same South African tour and the same weights, 700 pounds at the start and about 1,500 by the end.
Herman Gorner, world famous strong-man, performs a difficult lifting and balancing trick -- lifting ten bricks with his right hand. The weight of the bricks is 88 1/2 pounds. The other drawing shows Mr. Gorner lifting 14 bricks away from his body. The weight of the bricks is 123 1/2 pounds. A very unusual demonstration of terrific strength and balance.Mr. Gorner is shown here in the drawing wrestling with an elephant, which he wrestled every day during his tour in Africa. When he began wrestling with the elephant, the elephant weighed 700 pounds. Near the end of his tour, the elephant weighed over 1500 pounds. The drawing shows De Ashi Barai technique (foot sweep) that he would sometimes use to trip the elephant and then throw him down.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
Goody’s caption, corroborated against the public record of Hermann Görner (1891–1956).
This is a drawing of Kent Hoffman, Shodan (Black Belt) in U.S.K.A., Shin Go Ryu. He has demonstrated The Chinese Ax Kata. He has performed this Kata at the National Tournament in Kansas City; The International Tournament at Long Beach; Tae Kwan Do 1st Tournament; and also in the Rocky Mountain Championships; and International Budo Tournament. The axe is very heavy, approximately ten pounds. It takes a strong man to complete the entire Kata with this axe. He is an excellent teacher who teaches good techniques and strong foundations.Mr. Goody is demonstrating how the ancient people used a small axe against a longer weapon. In this first movement he is blocking the pole axe and side stepping to avoid Mr. Kent Hofmann's thrust.Mr. Goody has grabbed Mr. Hofmann's left hand pinning it to the pole axe handle. Then with the handle of the small axe he has locked the shaft of the pole axe and forced a lever against the arm of Mr. Hofmann. Stepping between Mr. Hofmann's legs he throws Mr. Hofmann with a Tai Otoshi using the shaft of the pole axe to trip him.Mr. Hofmann has just been thrown by Mr. Goody. His left hand is still caught. Mr. Goody has stepped on Mr. Hofmann's right hand and has raised the hand axe to cause Mr. Hofmann to surrender or lose his left arm. These movements come from the double Kata of the small hand axe. Chinese Form.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
Goody spells the name Hoffman on page 8 and Hofmann on pages 16 to 18. Which he used is not settled.
Ichi Jima Sensei's dojo, Meguro-ku, Tokyo, 1965. Transcribed from the printed caption: “Left to right, Miaki Sensei, 3rd dan, women's judo, Nagai Sensei, 8th dan, Ichijima's son, Frank J. Goody, Sr., Sensei, Ichijima Sensei, 6th dan, Thambi Rajah Sensei, 3rd dan.” Ichi Jima is second from the right. The boy in front is his son.
One of the masters Shihan Goody trained under at the Old Kodokan, alongside Mifune and Nagai — and the one we knew least about until 2026. He is named Ichi Jima Sensei throughout Shihan Goody’s own papers.
He kept his own dojo in Meguro-ku, Tokyo. Shihan Goody was photographed there in 1965, in a group that includes Nagai Sensei and Ichi Jima's own young son. Whatever began at the Old Kodokan when Goody was a teenager was still going forty years later, and he travelled back for it.
He taught well beyond Denver. Thamby Rajah — the founding father of aikido in Malaysia, and the first Malaysian to hold black belts in both judo and yoshinkan aikido — sailed eleven days from Malaya in 1957 to seek training under Ichi Jima and Mifune. He is in the 1965 photograph too. Two foreign students, eight years and an ocean apart, crossed the world and named the same two teachers.
In our own paper he appears three times: Goody’s 1967 booklet has him praising Lou Brigham as “Ichi Jima Sensei 6th degree from Japan”; a photograph of him with Mr Goody is in the Ox kata booklet of the same year; and the photograph below, of him with Sensei Art Doris in 1957, hangs in the Yama Arashi office today.
There may be film of him. An “Ichijima” is among the Kodokan masters Hal Sharp filmed in the early 1950s for Classic Judo by the Masters. If anyone can confirm that is the same man, the dojo would like to know.
In the Yama Arashi office. Transcribed from the caption band: “Haruyoshi Ichijima, Rokudan & Art Doris, 1957.” Both men wear gi lettered AJC, for Shihan Goody’s American Judo College. Ichijima Sensei is on the right; the tall man on the left is Sensei Art Doris. The printed caption band names them in the other order, so the photograph needed somebody who knew Art to read it — Astone, 2026-09-24. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.
Named in the 1967 booklet, in the Western Mountain Jujutsu Society’s account of Goody’s Kodokan teachers, and in Sensei Steve’s letter of 2026. The Tokyo dojo and the 1965 visit are from the dojo’s own photograph; the given name is from the caption on the 1957 photograph in the office, and is corroborated by Thamby Rajah’s school, the Shudokan Institute of Aikido. See research/japan-1965.md.
He took over the Boulder classes when Jerry Bestol left for Arizona, which is the appointment Goody's caption below is describing.
He was still at the head of that school a year or so later: he ran it with Bob Webster through the sixties, and a photograph kept by one of his students there is captioned Bob Jay, Sensei, Bob Webster, Ron Small, Al Richardson / American Karate School of Boulder ca 1968.
He is the smallest man in that photograph. He was a gymnast, and he went into the Navy afterwards.
Mr. Bob Jay 2nd degree black belt U.S.K.A. and Shin Go Ryu teaches at Karate School of Boulder. Mr. Goody appointed him to this position when Mr. J. Bestol left. Bob Jay has demonstrated his Ax and Knife Kata, which Mr. Goody taught him and which he learned in two sessions. He has competed in the Kansas City Tournament; Long Beach Tournament; Kae Kwan Do Tournament; International Budo Tournament, et cetera. Bob Jay is an outstanding and capable teacher.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
The Boulder photograph and the account of Bestol's departure are from Ron Small of the Western Mountain Jujutsu Society, who is in the photograph. The gymnastics, the Navy and Bob Webster's part in running the school are from Sensei Steve, who was taught by Webster at the American Judo College, September 2026.
Drawn, not photographed. From the American Judo College’s own information brochure, captioned there simply “Jigoro Kano — Founder of Kodokan Judo”. The corner carries a signature reading as DS and a two-digit year — the same hand, and the same habit, as the armoured samurai on that brochure’s red panel, which is signed DS 64. It is not Shihan Goody. He signed his own drawings 画 山嵐, drawn by Yama Arashi, on every plate of his 1967 booklet. Who DS was, nobody here knows.
He learned his jujutsu from three men. Fukuda Hachinosuke of the Tenjin Shin'yō-ryū taught him first, in a nine-mat room with five students, and worked him hard at randori — free practice against a resisting partner. When Fukuda died in 1880 Kano was given the school's scrolls. He continued under Iso Masatomo of the same tradition, who cared more for kata and handed the randori teaching increasingly to Kano himself. Iso died in 1881, and Kano went to Iikubo Tsunetoshi of the Kitō-ryū, whose throwing he judged better than anything he had met.
In February 1882, aged twenty-two, he took nine students out of Iikubo's hall and opened his own dojo in a room at the Eishō-ji temple in Tokyo. It was a jujutsu school. The name Kōdōkan came about two years later, and Kano had not yet been granted his own certificate of mastery in Kitō-ryū. The shift from jujutsu to judo was gradual: there is no day on which what those nine men were learning stopped being one thing and started being the other.
The word judo was not his invention, and not new in 1882. An older jujutsu school had been using 柔道 long before him. Kano took it deliberately: jujutsu had acquired a bad name by the 1880s — undisciplined schools, injured students, practitioners thought of as street toughs — and he wanted his own work kept clear of it. Jutsu is a technique; dō is a way. The choice was the argument.
The name took far longer to stick than the school did. He was using it from 1882, but the hall was not called the Kōdōkan for about another two years, and outside his own walls people went on calling it Kano's jiu-jitsu for years afterwards. What settled it was contest: once his students started winning against the established jujutsu schools in the mid-1880s, the name followed the results.
Judo is not a separate art from jujutsu. It is a style of jujutsu — Kano's, selected and reorganised out of the two schools he had trained in, with what he thought unsafe or unsound left out.
And he built it to be contested. Kano took out what could not be done at full speed — the techniques that only work if the other man cooperates, or that maim him if he does not — and what was left could be practised flat out against someone genuinely trying to stop you. That is randori, and it is the whole reason judo hits above its weight. A curriculum drilled only in kata is rehearsed; a judoka has done it for real, at speed, against resistance, several times a week for years. It is why the Kodokan won its reputation in contest, and it is the edge a judo player still carries into a room full of jujitsuka.
That was settled in public, in 1886. The Tokyo Metropolitan Police put the question to a tournament: ten men from the Kōdōkan against ten from the Totsuka branch of the Yōshin-ryū, by far the older and more prestigious school — some three thousand students against Kano's few dozen, and his school was four years old. The Kōdōkan won it. The traditional jujutsu schools never recovered their standing, and judo became the institution.
Our own throwing runs straight back to it: Kano to Mifune, Mifune to Shihan Goody, Goody to Yama Arashi.
The vertical characters beside his portrait on that brochure are the three arts the school led with: 柔道jūdō, the gentle way; 柔術jūjutsu, the gentle art; 空手karate, empty hand.
Public domain. From Wikimedia Commons, tagged PD-Japan-oldphoto: published in Japan before 1958, so copyright expired there by 1970 and was never restored in the United States.
Kano's teachers, the Eishō-ji founding, the naming and the 1886 police tournament are the documented record. One further point is contested — see research/kano-founding.md. The drawing is from the American Judo College brochure in the papers Jim Hansen sent the board on 2026-09-24; see research/ajc-archive.md.
Captioned on the print: “Yawara Jitsu — Teacher Prof. Matsuyama”. A second typed line below it, outside this crop, reads “This Picture Was Given To Frank Goody Sr. in 1944.” The characters on the drape are his name, 松山, and his art, 柔術. Straightened and recropped from the original scan in September 2026.
Hereditary Grand Master of the Matsuyama Yawarakai. He learned yawara from his father. The family art was a samurai art, and yawara was one part of it — not a style of its own but the unarmed portion of a warrior’s whole training, which is why it was taught in only a few Hatamoto family schools and why it sits on our Wednesday schedule still.
He was born in Miyakonojo in 1886, and he came to the art the hard way. At eight a horse reared and fell on him and left him a cripple. Three years later his father — six foot two, and a yawara instructor — began working him with a large stone in place of a dumbbell until he could straighten up out of his jack-knife position and stand. That is when the teaching started. He grew to five foot three and a hundred and thirty pounds.
He came to America to learn English — “I arrived on the West Coast in 1903 and found that there was much more to learn about the American people than just their language” — washed dishes in a big restaurant because it trained his hands on hundreds of different sizes, and five years later went to work as personal servant to Jack London. That is the Rocky Mountain News’s account and almost certainly his own, and it is not corroborated anywhere else: London’s documented Japanese valets were Sekine and Yoshimatsu Nakata, who was with him eight years. What is documented is the correspondence, and it is with Charmian London, Jack’s widow — four letters from Matsuyama among her papers at Utah State University, dated 1922, 1928 and 1942, with one undated. Jack himself died in 1916.
What he taught police was disarming. The yawara answer to a gunman, done right, ends with the gunman looking at the muzzle of his own weapon, and he had done it twice for real — once in a stickup, once on a man threatening his wife during a domestic argument. He was blunt about the cost of it: yawara is “basically humane”, he said, “although the use of a small amount of force can result in fractured bones and other serious injuries.”
He was tested, and he kept the clipping. Five Berkeley detectives, two hundred pounds apiece, once decided between them to try him. A few moments later three of them were stretcher cases, and the newspaper report of it hung on the wall of his Denver gymnasium ever after. His own account of why: “Most of these detectives were skilled in Jiu-Jitsu and Judo but they were unable to defend themselves against Yawara.”
He drew the distinction himself, and it is the clearest thing anyone in this archive has said about what yawara is: “Before I began training American police departments, Yawara had only been shown to the Japanese ruling class. The difference between the two sciences can easily be seen in the average Jiu-Jitsu and Judo match which lasts a half hour while the longest Yawara contest I have ever seen lasted only seven minutes.”
He would not teach it. His relatives were still in Japan and he expected reprisals on them if he gave the art away; in his own words, “that is why in 1927, when I was the last one left of the family, I began teaching Yawara to some of my friends.” In 1931 he became full-time yawara instructor to the Berkeley Police Department, and trained classes in San Francisco, Palo Alto and Wichita. The 1931 date is his own, from the Rocky Mountain News profile. A Japanese history of 1940 has him at Berkeley earlier — chief August Vollmer calling him in during 1929, for about a year, from a gym at 566 Fulton Street in San Francisco. The two need not contradict: a year brought in by Vollmer in 1929, and the full-time post from 1931, read as one engagement and then the job. He trained FBI agents. He invented the yawara stick, a pocket-sized tube that closes inside the fist, because he detested the blackjack and the nightstick, and he patented it — US Patent 2,099,447, “Police Weapon”, 16 November 1937.
He came to Denver because of the war. After Pearl Harbor, with Japanese residents being moved off the coast, Berkeley’s former chief August Vollmer suggested Denver and arranged it through the captain of detectives here. He arrived in March 1942 and opened his school at 1818 Stout Street, where he trained Denver police and more than a thousand auxiliary firemen and policemen.
Shihan Goody became his Ichi Ban — top student. On his passing in 1957 Matsuyama named Goody his successor.
The oldest photograph this school holds is of him: formal crested kimono, a sword with its tip on the floor, standing before a painted mokkō crest with his name and his art brushed on the drape behind him — 松山 on one side, 柔術 on the other. It is captioned “Yawara Jitsu — Teacher Prof. Matsuyama”, and beneath that: this picture was given to Frank Goody Sr. in 1944.
He turned people away. The newspaper says he refused hundreds of applicants “if they did not look like fit subjects to learn Yawara”, and would never train anyone he thought might use the art wrongly. That is worth knowing next to the line on our schedule page that yawara is by invitation only. It always was.
Professor Matsuyama, left, and a young Shihan Goody. Transcribed from the newspaper caption: “An instant before this picture was taken, Frank Goode, right, tried a right punch to the jaw of Prof. Frank A. Matsuyama, left. And just see what happened to Goode. The professor’s answer was a painful example of the art of Yawara.” The paper spells the name Goode; the dojo’s own typed line beneath the clipping reads “Mr. F. J. Goody when he was studying as an advanced Yawara black belt with his sensi Prof. Matsuyama.”
The life is from Edward Lehman II’s profile of him in the Rocky Mountain News, undated but after March 1942, in the American Judo College papers. That his teacher was his father, and that the family art was a samurai art of which yawara was one part, is also from Astone, 2026-09-24. The 1944 photograph and its captions are the dojo’s own — see research/japan-1965.md and research/ajc-archive.md.
Public domain. From the Asahi Shimbun photo book 柔道に生きる人々 — People Who Live in Judo — August 1955.
Among the most technically refined judoka who ever taught, and widely called the god of judo. He stood about five feet tall and weighed under a hundred and fifty pounds, and spent his career being the smallest man in the room.
His reputation was that he could not be thrown. Not that he was hard to throw — that men who were bigger, younger and stronger simply could not put him down, into his seventies. His answer was never to meet force: he turned under it, took the balance first, and let the other man's own commitment finish the job.
He was a judo teacher — Kodokan judo, the whole of his career. Shihan Goody trained under him at the Old Kodokan, which is how he reaches us.
Shihan Goody was photographed with him. The print is below, and it places itself — Goody is wearing a judogi lettered 三船, Mifune. A visitor in a jacket with the master’s name on it is a visitor training in the master’s own room.
Public record. Until September 2026 this entry also said that yama arashi was Mifune's nickname and that the school is named for it. Both halves were wrong, and the correction came from the dojo's head jujitsu instructor: the throw is judo, and the name is Shihan Goody's — it is his books it is signed on. The photograph with Shihan Goody is from the American Judo College papers, 2026-09-24; see research/ajc-archive.md.
Transcribed from the printed caption: “Left, Mr. Frank J. Goody, Sr., K.D.K., Nidan, Jujitsu Rokudan, 2nd dan judo, 6th jujitsu, and right, Nagaei Sensei, K.D.K., Hachidan, 8th dan judo. (This picture was taken in Japan on Mr. Goody's 1965 trip.)” Rescanned from the original print in September 2026, and straightened by Astone — the print had been photographed on a slant. What stood here before was a 579-pixel copy.
Hereditary grand master of Nagai Ryu Jujitsu — the jujitsu this school teaches — and one of the masters Shihan Goody trained under at the Old Kodokan as a young man. Goody held Nagai Ryu at sixth dan.
Two things that are easy to run together, and should not be. He is the hereditary grand master of Nagai Ryu jujitsu, which is the art we practise. Separately he is an eighth dan of the Kodokan in judo — a 1965 caption gives him as “K.D.K., Hachidan, 8th Dan Judo”. A 1986 profile of Goody says the same thing independently, calling him an “eighth-degree black belt in both jujitsu and kodokan judo”.
He and Shihan Goody were photographed together in Japan on Goody's 1965 trip, and again the same year in a group outside Ichi Jima Sensei's dojo in Meguro-ku, Tokyo. Goody was not a boy on that visit; he had been teaching in Denver for twenty years.
His name is written Nagai here and Nagaei on the 1965 caption. Both are the dojo's own spellings and neither is wrong.
Ichi Jima Sensei's dojo, Meguro-ku, Tokyo, 1965. Transcribed from the printed caption: “Left to right, Miaki Sensei, 3rd dan, women's judo, Nagai Sensei, 8th dan, Ichijima's son, Frank J. Goody, Sr., Sensei, Ichijima Sensei, 6th dan, Thambi Rajah Sensei, 3rd dan.” Nagai Sensei is second from the left.
Named in our own lineage and in the Western Mountain Jujutsu Society's account of Goody's ranks. The Kodokan grade, the judo, and the 1965 photographs are from the dojo's own prints — see research/japan-1965.md.
Jim Norland, Sandan (3rd degree black belt), U.S.K.A. and in Shin Go Ryu. This is an Okinawan Kata that Mr. Norland was taught by Mr. Goody after the Nashville Tournament and which he learned in only two sessions. Mr. Norland has entered Kumite and Kata in Miami Beach, Florida; Nashville, Tennessee; twice in Albuquerque; Phoenix Tournament; Yuma Tournament; Long Beach Internationals; Tae Kwan Do Tournament; International Budo Tournament; and Rocky Mountain Tournament, et cetera. Mr. Norland is an excellent teacher and is a loyal member of the American Judo College.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
Jerry K. Phelps, Judo Sho Dan and Karate Sho Dan (Black Belt). Jerry was an instructor for four years at The Highlander Headquarters and taught several classes at the Main School (American Judo College). Jerry has been a loyal and hard-working member. On many occasions he has helped by loaning the American Judo College the wonderful services of his personal secretary, Maxine Berland. In fact this booklet would not even be ready except for Jerry's and Maxine's help.Shihan Frank Goody, 1967
Goody's own words, from the page of the 1967 booklet that lists the black belts he had no room to draw: “I am sorry but, due to the shortness of time, many of our black belts and assistant teachers as well as students are not in this booklet. I would like to mention a few of these.”
Mr. Heinz Schlue, Judo Sho Dan, Ju Jitsu Ni Dan, Karate Sho Dan, and expert at Kung Fu. A great teacher in the Weapon Kata's of Kung Fu and an exceptionally hard-worker, the Black Belt meetings could not function without Heinz.Shihan Frank Goody, 1967
Goody's own words, from the page of the 1967 booklet that lists the black belts he had no room to draw: “I am sorry but, due to the shortness of time, many of our black belts and assistant teachers as well as students are not in this booklet. I would like to mention a few of these.”
Morihei Ueshiba with Shihan Frank Goody at the Hombu Dojo in Tokyo. Undated, but from the same visit as the 1956 photographs below. This is one of the prints the 1986 profile describes as hanging at the American Judo College reception desk beside Goody’s aikido teaching certificate.
O Sensei, the founder of Aikido. This entry rested for a year on one line in a student’s memoir, which listed “Aikido — Sensei (Morihei Ueshiba)” among Shihan Goody’s titles. It does not any more.
The dojo holds photographs of the two men together, and the mounts are captioned in the school’s own hand: “Rev. Frank J. Goody, Sr., D. D. With Master Ueisheba, 10th Dan at the Hombu (Main School) Tokyo, Japan 1956.”Ueisheba is the mount’s spelling, transcribed as typed and not corrected — the man is Morihei Ueshiba, and this page quotes the school’s own paper the way the school wrote it. One of them is not a handshake but a lesson — O Sensei, small and seventy-two, taking the wrist of a man a foot taller in a gi lettered AJC.
And it went further than training. Ueshiba gave him written authorisation to teach aikido in the United States. That certificate hung at the American Judo College reception desk, with these photographs beside it, for as long as the school stood.
One thing Goody used to pass on from him, and it is the sort of remark a teacher only makes to someone he is talking shop with: Ueshiba said that if there was any weakness in aikido, it was that he had never developed kata for it.
And he did not wait. The class below was photographed in Denver in the same year as the photographs above were taken in Tokyo — nine men in hakama, gi lettered AJC. Whatever Goody was given at the Hombu, he was teaching it at home inside twelve months.
Transcribed from the mount: “Rev. Frank J. Goody, Sr., D. D. With Master Ueisheba, 10th Dan at the Hombu (Main School) Tokyo, Japan 1956.” Goody is the taller man, his gi lettered AJC for his own American Judo College. The spelling Ueisheba is the mount’s.Transcribed from the booklet: “From left to right... Shihan Frank J. Goody Sr., Master Koichi Tohei, O Sensei Morihei Ueshiba, and Ueshiba’s son — Kisshomaru (present president of the Aikido Hombu).” Tohei was the Hombu’s chief instructor and the man who carried aikido to America; Kisshomaru became the second Doshu. Goody is at the end of the row.The same room and the same visit, from the dojo’s own print rather than the booklet. The mount reads “Rev. Frank J. Goody, Sr., D. D. With Aikido Teachers at the Main School, Tokyo, Japan 1956.” Goody is on the left; O Sensei kneels at the centre, before the shrine. The fifth man is not named on either document.Captioned in the booklet simply “Aikido Class at the American Judo College 1956”. The same year. Goody knelt at the Hombu in Tokyo and had a class of Denver men in hakama at home, their gi lettered AJC — which is about as fast as an art has ever crossed an ocean.
The 1956 photographs and their captions are the dojo’s own. The written authorisation, the certificate at the reception desk and the remark about kata are from Tom Miller’s profile in American Karate, September 1986. The older attribution is from the Western Mountain Jujutsu Society. See research/ajc-archive.md.
He went by Don. His initials are on the ox: in Goody's booklet on The Form of the Ox Kata, the warrior rides an ox with HDW lettered on its rump. That kata is the one named in his entry below — Ni Tanto O Ushi Gata, the two-sword ox form.
He started judo about 1948 at the American Judo College on South Bannock Street, and competed at national level. He joined the Denver Police Department in January 1960 and taught beside Shihan Goody on the department's self-defence classes; he went on to teach other police and sheriff's departments, and the National Guard he served in. In 1965 he was named one of the men who would teach self-defence to the Denver force.
Goody dedicated the Ox booklet to him, as his student and his friend.
Mr. Don Walker, Shodan U.S.K.A., Shin Go Ryu Karate, Yodan, (4th degree black belt) in Yawara I.G.D.S., he is Sandan 3rd degree in Ju Jitsu, Sandan 3rd degree in Judo. He is an expert in Bando Knife Kata, Ni Tanto O Ushi Gata (2 sword ox kata). He performed this Kata at Nationals in Kansas City; International in Long Beach; International Budo Tournament; Rocky Mountain Tournament, et cetera. He is a police self-defense instructor for the Denver Police Department. Don Walker is an excellent instructor.
Drawn, captioned and self-published by Shihan Frank Goody, 1967. Click a page to open it full size.
Full name and the HDW detail from Sensei Steve, who knew him.
The characters beside him read 会長 王勇邓 — Chairman Wang Yongdeng — and down the other side, 全東洋新剛柔流唐手会, the All-Orient Shin Go Ju Ryu Karate Association. The printed caption names him founder of the style and Frank Goody's teacher. Across the top, in Goody's hand: July 7, 1961. To my friend and student Ron Small, a great student of Ju Jitsu and Karate. A wonderful contester and someday one of my top teachers.
Born Wang Yongdeng. Ting Yang was the name he took as a martial artist — his father had carried the same name before him, and he was the third generation of instructors in his family. Tian Ren’an is how Ting Yang reads in Mandarin; it is not another rendering of his birth name.
Hereditary master of Ting Yang Ryu Karate and a master of China's Southern Shaolin temple. The American Judo College brochure adds that through marriage he was a descendant of the Forty-Seven Ronin. He was Chinese with some Japanese ancestry, lived in Singapore and in Okinawa, and was said to know hundreds of kata — at least ten for each of the twelve Chinese animals. Of those kata, the note in our file says only: they are not flashy.
He taught Frank Goody in Okinawa. He presented Goody four certificates, two in 1954 signed with his birth name and two in 1956 signed Ting Yang, one of the latter naming Goody Shihan of Shingojuryu karate. All four are written in Japanese. Two of them used to hang on the back of the door between the front office and the little dojo.
On the portrait in the Ox kata booklet he is titled 会長, kaichō — president of the All-Orient Shin Go Ju Ryu Karate Association. The Ox kata itself he first set down in Singapore, in sketches Goody afterwards redrew.
His daughter and her husband died in a car accident in Hawaii. He took their children in, and in the 1960s moved to the People's Republic of China. Nobody in this country knows what became of him afterwards, or of his daughters.
One thing the 1967 booklet does tell us. Every time Goody writes his teacher's name in it — on the cover, the title page, both wall charts — he puts 故 in front of it, the character for the late. So by 1966 Goody believed him dead. That is what his student thought, written down at the time; it is not a record of his death, and it does not tell us where or when.
From the dojo's own Ting Yang research file, which gathers the American Judo College brochure and correspondence between Mike Hamel and James Schupp. The letters are private, so what they establish is retold here rather than reproduced.
The Burmese art of bando reached this country through him. He began teaching it in Washington D.C. in the early 1960s and founded the American Bando Association in Athens, Ohio, in 1966; he was a professor at Ohio University, and an official of the United States Karate Association.
Shihan Goody names him in the Ox kata booklet of 1967 as the foremost authority in the country on the bundo system, and as a member of the U.S.K.A.'s technique and research board. The knives that kata is performed with are bando knives, which is why the form Don Walker was known for comes down to us as the Bando Knife Kata.
The knowledge in that book reaches us through him, and that is why he is on this page.
Goody's booklet establishes that he knew of Dr. Gyi and credited him as the authority on the system. It does not say Dr. Gyi taught him. That the line runs through him is this dojo's reading of where the knowledge came from, not something the document states. Goody spells the name Manung Gyi.
He ran the American Karate School of Boulder with Bob Jay through the sixties, and he taught at the American Judo College — Shihan Goody's own school — where he was Sensei Steve's teacher for a time. Teaching at Goody's school means he was one of Goody's own black belts.
He is in the 1968 photograph of the Boulder school, alongside Bob Jay, Ron Small and Al Richardson. Steve thinks he was in the Marines.
We need more on him. What did he teach, and what rank did he hold? Everything above rests on one sentence from Sensei Steve and a caption on a photograph. If you trained with him at AJC or in Boulder, the dojo would like to hear it.
Sensei Steve, September 2026, who was taught by him at the American Judo College. The 1968 photograph is from Ron Small of the Western Mountain Jujutsu Society, who is in it.
His portrait in the dojo office, captioned Ron Marx — Karate. Photographed through the glass in the dojo office in September 2026, and a placeholder until a better copy exists.
He taught karate at this school before George Donovan, who has the Thursday class now.
He placed against Chuck Norris in tournament competition — Norris was a working tournament fighter through the sixties and into the seventies, before the films, and the Rocky Mountain circuit was part of that world.
Worth more than two lines. Which tournaments, which years, and where did he place? A result against a fighter that well known is the kind of thing this page should be able to state precisely, and right now it cannot.
Astone, 2026-09-19. The spelling is confirmed by the caption on his portrait in the dojo office.
Fairbairn in 1942, as a lieutenant colonel detailed to the American Office of Strategic Services. Public domain — a US federal government photograph, from the National Park Service at Catoctin Mountain Park — the OSS training ground where he was teaching Defendu when it was taken. It is only 275 pixels wide; that is the whole of what survives in the open, and it has not been enlarged.
Defendu is an entire fighting system, invented by William Ewart Fairbairn for the Shanghai Municipal Police, which he joined in 1907. What this dojo teaches under that name is a single kata, fourth in our order — a subset of his system's movements, gathered into one form. Drawn from Defendu, not the whole of it.
He made it out of jujutsu and Chinese martial arts bent to the work of policing, after twenty years of street fighting in the course of his duties. He studied under Tsai Ching Tung, who had taught the retainers of the Dowager Empress at the Imperial Palace in Peking.
Then the war took it worldwide. Commissioned by the British secret service in 1940, he taught Defendu to SOE agents in Scotland, then at Camp X in Ontario to British, American, Canadian and Dutch commandos, to Army Rangers and to OSS operatives. He set the system down in All-In Fighting and Get Tough! in 1942, and those manuals were used across British and American training. He finished the war a lieutenant colonel with the American Legion of Merit, and he co-designed the Fairbairn–Sykes fighting knife along the way.
He was at the Old Kodokan from 1918 to 1931 — first dan in February 1926, second dan in February 1931, his certificates signed by Jigoro Kano himself.
Which is the interesting part. Shihan Goody came out of the same institution at the same grade — Kodokan nidan — in an era when very few Westerners held it at all. Both were police officers. Both taught close combat to police. Defendu was built for precisely the work Goody did in Denver.
And in 2026 a document turned up that puts them in the same sentence. The school’s own 49th anniversary booklet of 1983 lists him among the well-known instructors Shihan Goody worked with, describing him as “Commisioner of Police at Shanghai” and “the inventor of the famed British Fairbairn knife”. It is the first thing in the archive to connect the two men at all.
And it was not just a name on a list. Two pages further into that same booklet, under the heading Jujutsu, the school photographed two of Goody’s first-degree black belts demonstrating what it captioned “a Fairbairn Jujutsu form”. So in 1983 this school was teaching material under his name and putting it in its own anniversary book. That is a long way from nothing, and it is the closest the archive has come to answering how his system reached this mat. The photograph itself is a kata and is not published.
How much weight will that booklet carry? It does two things — it lists him among instructors Goody worked with, and it photographs a form taught under his name. The second is the harder of the two to explain away. It is the school’s own, which is the best reason to take it seriously — and it is loose about outsiders, which is the reason not to lean on it. On the same two pages it makes Fairbairn a “body guard of the Emperor of Japan”, which is in no account of his life; it spells Geesink “Gesink”, Kyokushin “Kyoshinkai” and Hatsumi “Hotsumi”. So: the school says they worked together, and this page says the school says so. It still does not say when, where, or who carried Defendu into our fourth kata. Fairbairn’s Kodokan years close in 1931 and Shihan Goody’s birth year is still unknown, so the overlap question is open too. The likeliest route remains the war, when Fairbairn taught Defendu to Allied forces and printed it in manuals that went everywhere Allied troops did. If anyone knows how his system reached this school, the dojo would like to hear it.
Sensei Steve named him among Shihan Goody’s teachers, 2026-09-22, which is what sent us looking. The 1983 booklet listing is from the American Judo College papers, 2026-09-24. Fairbairn’s own history is public record and easily checked; the connection to this dojo rests on those two. See research/fairbairn.md and research/ajc-archive.md.